He slams the door, to make sure it is closed, as Sheila instructed. The street is near empty and he feels exposed as he stands taller than all the picket fences and low brick walls. The street unusually quiet, given all the cars and lorries that charge round the bend all through the night. A young lady dressed for work saunters past the rickety wrought iron pedestrian gate, her waltz and urban dress an indication of another world, a world of the employed. The sonorous rhythm of her healed shoes cut the quiet crisp morning air, as they crash into the cracked concrete tiles of the pavement.
She is black. He is curious to know what kind of black. Is she a third generation from the Caribbean, a second generation West African or a fresh off the plane Southern African from
Zimbabwe. She could even be from Zambia. Perhaps he could rush up to her and say, in chinyanja, ‘Muli Bwanji’. He follows after her, quickening his pace to match hers. Would her eyes light up and embrace him or would she instead blast, in a London accent imbued with perpetual indignation, ‘en wot the fock is yoproblem?’.
It is not an entirely ridiculous challenge, however. The previous evening, on a return train from the interior of the city, a lady spoke into her phone, for the duration of the ride, in fluent Bemba, another language of Zambia’s cities and slums. All the while he felt a warm sensation settle on him. A sensation of feeling close to home. He was not aware that he was homesick until he heard this dialogue, jibed endlessly into the mobile receiver. The conversation was complete with all the mannerisms and phrases of a ladies idle chat in Bemba. ‘Shuwa!’, ‘Nomba?’, and ‘Hmmm’. He did not follow all that she was saying. He never could speak Bemba himself. He could always pick up lots and understand a lot more than he could say, or so he thought. But now, it all seemed so familiar to him, the sound of home. After they alighted from the train, at the African immigrant nation of Thornton Heath, he was tempted to follow her home, all the way to her door step and them spring on her ‘Muli shani’, and be received with relief and a home cooked Zambian meal, complete with Nshima and relish. At least with her he was sure she would not retort ‘en wot the fock is yoproblem?’ But he let her go her own way home, though turning his head to keep track of her as if she might at last, before he disappeared down the dark street, realize that he is like her, from where she is from. She would not have defend against his presence with indifference, as all Londoners do.
He knows he will not say anything to the woman sauntering ahead of him, in her business siut. But he would just like to listen and watch. To concentrate on her long enough to somehow discern her origins. That is why he quickens his pace to keep up with her, as she makes the bend along the street, shouldered by a dark red brick rampart, insulating the street from the railway beyond. But then his mind races back, have I got everything for the interview? He asks himself. Passport, revision notes, wallet, cell phone, keys, London map, London street map – no! He has left behind the street map, without which he could never find the Deloitte London offices, three streets away from Oxford Street. Swearing and cursing himself, he turns back and storms back into the narrow semi-detached red brick house for the street map booklet. The house is empty and quiet, deserted in the name of school, income and bills. The booklet retrieved, found idly folded on the dinning room table, he slams the front door again. Now a car and a delivery van do motor past, their diesel engines fouling the air with noise and carbon gases. No nubile black lady saunters past this time. No one to dictate the walking pace necessary for the world of the employed. But he hurries down the street, nevertheless, with a new sense of panic, as he might be late, dictating his walking pace instead.
At London Victoria, sung like a TV advert by the ubiquitous train station information speakers, he emerges from the train, like a third world market, into the bustling busy rush of
London’s morning commuters. What a glorious rush! 20 trains pull up to 20 platforms with in 5 minutes of each other, under a massive iron and glass hanger. An army of thousands march at pace, armored with suits, brief cases, ipods and gelled hair, launched from the electric locomotives. A train to ground landing, Normandy 1944 played out every morning of the week, again and again. Soldiers of commerce marching on the inner city, sifted by automated electric ticket machines and monitored by sentries standing at attention in bright yellow polyester jackets, hat and visor over their forehead. The soldiers walk in columns, as if to the instruction of a drill sergeant, though really as a result of the row of ticket checking machines that sorted them into streams. The 20 columns of commercial infantry converge and conflate into a single tunnel, like ants returning to their mound. As the escalator regulated tunnel swallows this army, the pace slows down, shoulders smash and the frequency of pleasantries increases ‘excuse me’, ‘sorry’, ‘sorry’, ‘watch it’.
In the underground, columns of soldiers duck left and right, from one tunnel to the next, up steps and down steps. The sense of direction long lost, only the sign posts and navigation of routine directs them. People talk less in the tunnel. Their cell phones now out of signal, the only sounds now are that of thousands of footsteps, and business suits chaffing. The dreary march through the tunnels suddenly broken by the ring of a guitar. The sound carries well in the underground. The strum of the metal strings resounds strongly in his chest, like melody does when it relieves a month of grief. He is not sure if it is live music or tunes played through electric speakers. Above him he peers through the ventilation grids to look and listen for electric speakers. He cannot find the source of the melody, which is now accompanied by a mournful voice. Through the slits between the bodies of marching commuters he sees her, the musician. She is sat on the floor with her guitar with forlorn look on her face, looking into the distance as if she can see through the tunnels and into the future. Her sweet dirge wafts away behind him and is totally cut off when he makes the next turn into another tunnel, as instructed by the sign ‘Central Line’.
He flunked the interview with Deloitte. He did not know this immediately after the interview. He thought he did well. He spoke about himself confidently, which is something he was not raised to do. He cited examples from his life, as a mathematics tutor, a lecturer, as a mathematics researcher that conveyed team work, communication and determination. It was what he thought they wanted to hear. It was what the website asked him to say. Perhaps they did not like his £30 nylon suit. Or maybe they could tell that his uneven hair was a result of a self help barber effort. Or maybe they had noticed him accidentally walk into the ladies room before the interview. He can only guess, since feed back for unsuccessful candidates is not their prerogative. After the interview and before he knew of his most recent failure, he walked London along the Thames river and around St Pauls Cathedral, before disappearing back into the underground and back again to the black country of Thornton Heath.